Events

Montauk Art Show Recap

My debut at the Montauk Art Show was a success and, I hope, the first of many shows out in the Hamptons. Quite a bit of chatter among the attendees praised the “elevated” level of the artists and their works on display, and I was honored to be among the 75 artists chosen for this year’s show.  As you’d expect in a vacation beach town, many artists featured works with ocean themes: waves, sand dunes, seashells, a lighthouse, boats, and sea life. I chose a number of pieces including landscapes and underwater shots. Of course I had to feature a few shark images and they proved popular with the ocean-loving crowd. I don’t have any portfolio-level images set in the Montauk area, so I deferred to other local artists to fill that niche — I’ll never put forward mediocre work just because it fits the theme. 

It’s always interesting to see which images connect with different people. Arguably the most popular image of the weekend was this shot of a seaplane in Alaska.

Some people are eager to ask questions and chat while others want to be left to themselves to take in what they see. I never do the “hard sell” or pounce on potential clients — browsing a fine art show should be a luxurious experience and no one wants to feel like they are at a flea market. 

Ironically the first image I sold was neither summery nor ocean-inspired: it was this winter cabin in the Sierras. Some people are clearly done with the summer heat and are ready to curl up by the fireplace with a Bailey’s latte. Speaking of coffee, I have to rave for a moment about Hampton Coffee Company and the best iced coffee I’ve ever had, three days in a row. Divine is the word that comes to mind — simply outstanding.

One woman recognized this location in Arizona because her parents live about twenty minutes away. She was pleasantly surprised to see this mountain so far from home, all the way at the tip of Long Island. Western landscapes are not common in these summer shows (I was the only artist who had a couple on display), but more than a few art buyers appreciated seeing something a little different from the standard beach scenes.

I reserved a side wall for ocean and underwater images, the largest of which was a metal print of a great white shark. The display was arranged so this image could be seen from a distance and it certainly delivered the intended effect. I loved seeing kids get excited as they spotted the giant shark and ran toward the display. Then they got closer and saw the others: a tiger, a hammerhead, and a whale shark, as well as a pod of dolphins. That would have been me as child, no doubt. People had many questions from the basic (“where was this?”), to the sophisticated (“how do sharks react to the electrical impulses of a camera?”), to the absurd (“why didn’t it eat you?”). 

My favorite shipwreck image drew an older crowd including, notably, some veterans. Those who served in the armed forces instantly recognize a military ship and many are intrigued by its history — and this one doesn’t disappoint: it was the vessel that recovered the black box from the Challenger disaster.

Overall it was an excellent show and I met some terrific artists. If you are in the Hamptons in the summer make sure you don’t miss the next show!

Art Expo New York Recap

In October I appeared at Art Expo New York presenting original images in one of Manhattan’s largest fine art trade shows. Over 200 galleries, collectives, and independent artists displayed their work at the show, which for most attendees was the first fine art show they attended since 2019, pre-pandemic. Many friends and family in the New York area were there to show support and enjoy New York City in the fall — arguably the best season in the city.

I selected eight works to display, showcasing landscape, underwater, and wildlife subjects. Each image was accompanied by a short story printed on card stock and displayed near the framed work. For those who were unable to attend, most of these prints are available for purchase through Art Expo New York’s online gallery. A selection of works is displayed below.

“Alien Lake” was the largest print of the exhibit

ALIEN LAKE

Tucked in the foothills of the eastern Sierras, Mono Lake is a prehistoric alkaline lake dotted by bizarre limestone tufa. On calm evenings, such as the one photographed in this image, there is an otherworldly stillness and sense of quiet, broken only by the occasional coyote call. Though not as famous as the Great Salt Lake, Mono Lake has featured in obscure popular culture from an early work of Mark Twain to an album inset by Pink Floyd.

TRAILS

The origin of these unique rock trails in a remote desert basin remained a mystery for centuries. Some theorized they were created by hurricane-force winds pushing rocks across slick mud, while the more superstitious believed ghosts or aliens were behind the strange sailing stones. After several decades of study, the rocks were observed in motion in the winter of 2013 — pushed along by floating ice sheets in the flooded playa. Visiting this location requires significant off-road travel deep in Death Valley National Park.

“Trails” was the most popular image on display

“Grey Ghost” is a nod to the significant set of underwater images in my portfolio. It also captures a theme in many of my photos — nature overtaking human creation.

GREY GHOST

The USS Kittiwake, formerly a submarine support ship, served the US Navy for five decades and retrieved the black box in the aftermath of the Space Shuttle Challenger disaster. Today she rests in water seventy feet deep in the Cayman Islands. A dive bell (in the distance on her port side) still contains an air pocket inside — divers enter from below and can break through the surface to have a brief chat underwater. Originally positioned upright, the Kittiwake was knocked on her port side by Tropical Storm Nate in 2017.

KING SALMON

Classic stick and rudder flying is ubiquitous in Alaska, the state with the largest per capita population of licensed pilots in the United States. For many visitors arriving in Katmai National Park in the Alaskan peninsula, a seaplane is the preferred method of travel — there are no roads connecting the park with nearest town of King Salmon. Brown bears are a common sight on the very banks where this DeHavilland Beaver is parked. As I photographed this plane, my travel companions kept watch on the nearby forest behind me.

“King Salmon” was one of two images set in Alaska and is a tribute to my lifelong love of aviation